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Dan Graham, 'Pavilions' on Vimeo


◇ Dan Graham - Wikipedia, the free encyclopedia

In Sarah Lehrer-Graiwer's publication Pep Talk in 2009, Graham gave "Artists' and Architects' Work That Influenced Me" (in alphabetical order): Michael Asher, Larry Bell, Flavin, Itsuko Hasegawa, LeWitt, Roy Lichtenstein, Robert Mangold, Bruce Nauman, Claes Oldenburg, Kazuo Shinohara, Michael Snow, Mies van der Rohe and Robert Venturi.[5]

Following the closure of his Manhattan-based space, the John Daniels Gallery, in the late 1960s, Graham turned to magazines as the primary venue for his art. In addition to contributing art and music criticism, Graham created text and photographic pieces often published between the magazines’ advertisements.[6] Of his magazine work, Graham said,

There was this whole idea of defeating monetary value in the air in the ’60s, so my idea was to put things in magazine pages where they’d be disposable with no value. And that was a hybrid also because the work was a combination of art criticism and essay: magazine page as an artwork.[7]

These photographs question the relationship between public and private architecture and the ways in which each space affects behavior. Some of his first conceptual works dealt with different forms of printed artwork of numeric sequences. In 1965 Graham’s began shooting color photographs for his series Homes For America. All the photographs taken were of single-family homes, new shopping precincts, truck depots and roadside diners around the American suburbs. This photo series, one of the first artworks in the space of text, was published as a twopage spread in Arts Magazine. The "article" is an assembly of texts including his photographs. The photographs were also chosen for the exhibition "Projected Art" at the Finch College Museum of Art. In 1969, Graham focused on performance and film that explored the social dynamic of the audience, incorporating them into the work, leading to an 80 ft photo series, Sunset to Sunrise.[8]