大村益三さんのはてなダイアリーより
◇ ことづけが見えない - 〈B術の生態系〉Bな人のBな術
http://d.hatena.ne.jp/murrari/20141010/1412928077
◇ ミュージアムピース - 〈B術の生態系〉Bな人のBな術
http://d.hatena.ne.jp/murrari/20140927/1411800812
◇ これからの写真【プロローグ】 - 〈B術の生態系〉Bな人のBな術
http://d.hatena.ne.jp/murrari/20140822/1408704311
◇ これからの写真 - 〈B術の生態系〉Bな人のBな術
http://d.hatena.ne.jp/murrari/20140916/1410858101
◇ 絵画の在りか - 〈B術の生態系〉Bな人のBな術
http://d.hatena.ne.jp/murrari/20140815/1408076474
※http://d.hatena.ne.jp/n-291/searchdiary?word=B%A4%CA%BF%CD%A4%CEB%A4%CA%BD%D1
The Exceptional and the Everyday: 144 hours in Kiev
The Exceptional and the Everyday: 144 hours in Kiev is the first project to analyze the use of Instagram during a social upheaval.
Using computational and data visualization techniques, we explore 13,208 Instagram images shared by 6,165 people in the central area of Kiev during 2014 Ukrainian revolution (February 17 - February 22, 2014).
See all 13K images in one visualization; look at the timeline of top tags and the use of multiple languages ; find out how a computer sees Instagram images; read the essays which explore iconography of a revolution and use of social media as a political speech.
Remembering Barthes by Susan Sontag | The New York Review of Books
◇ Susan Sontag「Writing Itself: On Roland Barthes」(1982, The New Yorker)
http://j.mp/1C2SgNT