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福居伸宏 Nobuhiro Fukui https://fknb291.info/

Roman Opalka『Autoportraits 1965』

http://www.amazon.co.jp/Autoportraits-1965-Roman-Opalka/dp/2352900778
ローマン・オパルカ(Roman Opałka)の写真作品 https://twitter.com/n291/status/346773383591129088 が集成されていました。本の発売日によると出版はちょうど2011年にオパルカが亡くなる直前。ワークショップでは、北島敬三さんの「Portraits」について話すときに言及すべき作品です。


◇ Opalka 1965 / 1 - ∞ Autoportraits, un livre / a book - YouTube
http://youtu.be/mEKJFs6DbSY


◇ Opalka 1965 / 1 – ∞ Self-Portraits (English version) - Éditions Courtes et Longues
http://www.cleditions.com/Opalka-1965-1-infin-Self-Portraits
フランス語版のほか、ポーランド語版と英語版も発売されているようです。


※Ken Ohara『Extended Portrait Studies Since 1970』http://j.mp/1oh4Q7Z をワークショップで紹介したのは、第4期・第6回。http://j.mp/1oh4VZ7 次期では、現在膠着状態の方に紹介すること。

Steve Reich & Beryl Korot - Three Tales - Dolly (HQ) - YouTube

http://youtu.be/AJ8nO5XOhRc


Steve Reich: influences, techniques and politics [HD] IntoThe Music, ABC Radio National - YouTube

Steve Reich was in Sydney in April 2012 as 'composer-in-residence' at
the Sydney Opera House. In this thoughtful and at times provocative interview with RN's Cathy Peters, he discusses his technique of using spoken word documentary fragments in compositions like Different Trains and The Cave and why he chooses particular recordings and fragments of actuality. He argues against any view that suggests that art or music can influence politics or indeed influence the way his audiences perceive politics.

Reich also discusses his early love of jazz and his visits to Birdland
in NY as a young lad, listening to the great bebop jazz masters.

You can hear Reich discussing other aspects of his compositional style
and major works like WTC 9/11 in the radio feature, "Steve Reich in
Words and Music" on ABC RN -

http://youtu.be/blfzB1MfM8c


◇ Three Tales (opera) - Wikipedia, the free encyclopedia

Three Tales is a video-opera in three acts (titled Hindenburg, Bikini and Dolly) with music by American composer Steve Reich and visuals by Beryl Korot, his wife. It is scored for two sopranos, three tenors, string quartet, percussion, keyboards, and pre-recorded audio. Its premiere was at the Vienna Festival on May 12, 2002; the BBC had commissioned a version for television broadcast four months later. The 12-minute tale Hindenburg had been written (and recorded) in 1998, while the remaining tales were completed (and recorded) in the year of the premiere.

The musical narrative of Three Tales follows "speech melodies" of pre-recorded interviews, and in many ways resembles Reich's works The Cave (1990–1993), City Life (1995) and Different Trains (1988). The libretto of Three Tales can be found on the website of the composer (see bottom of page).

Three Tales is a response to nearly a hundred years of modern technology, concerning the explosion of the Hindenburg, nuclear testings on Bikini Atoll, and the cloning of Dolly the sheep (drawing connections between genetic engineering and artificial intelligence). The different stories are told from various perspectives, with speech culled from interviews with eye-witnesses, audiovisual documentary material of both the Hindenburg and Bikini tragedies, and experts in computer science (e.g. Marvin Minsky and Kevin Warwick), artificial intelligence (Rodney Brooks), Rabbi Adin Steinsaltz, and genetic engineering (Richard Dawkins).

http://en.wikipedia.org/wiki/Three_Tales_(opera)


Steve Reich - the making of WTC 9/11 [HD] The Music Show, ABC Radio National - YouTube
http://youtu.be/dpRwOnZebOQ


Steve Reich - rhythm and minimalism [HD] The Music Show, ABC Radio National - YouTube
http://youtu.be/pFS8Ru27rqs


Steve Reich - It's Gonna Rain (1965) - YouTube
http://youtu.be/vugqRAX7xQE


Steve Reich - Come Out (1966) - YouTube
http://youtu.be/uGDo1YN_q3c

Salon | Artist Talk | Beryl Korot - YouTube

Artist Talk | Beryl Korot
Beryl Korot, Artist, New York, and Mark Godfrey, Author of Abstraction and the Holocaust and Curator at Tate Modern, London, discuss Korot's work, Dachau 1974.

http://youtu.be/Hv41Hk_qmmM


◇ Beryl Korot - Wikipedia, the free encyclopedia

Beryl Korot has pioneered the field of video art since the early 1970s. She was co-editor of Radical Software (1970), the first publication to discuss the possibilities of the new video medium, and Video Art (1976) with Ira Schneider. Her first multiple channel works (Dachau 1974 and Text and Commentary) were seen at such diverse venues as The Kitchen (1975), Leo Castelli Gallery (1977), Dokumenta 6 (1977), and the Whitney Museum (1980 and 2002), Aldrich Museum (2010) among others and explored the structural relationship between programming on the ancient technology of the loom and computer programming. Dachau 1974 is in the Kramlich Collection. Her painted text-based handwoven canvases in an original language were exhibited in 1986 at the John Weber Gallery and in 1990 at the Carnegie Museum (Points of Departure). Two video/music collaborations with Steve Reich (The Cave, 1993, and Three Tales, 2002) brought video installation art into a theatrical context. Both works continue to be performed and have been installed, apart from live performances, at such venues as the Whitney Museum, the Carnegie Museum, the Reina Sofia, the Düsseldorf Kunsthalle, and ZKM. Since 2003 she has been creating a new body of video and print work which was seen at The Aldrich Museum for the first time, Beryl Korot: Text/Weave/Line, Video 1977-2010, and subsequently at Dartmouth College Fall 2011 and bitforms gallery, Spring 2012, among others. She is a Guggenheim Fellow and has received numerous grants for her work from the NEA, NYSCA, and most recently from Anonymous Was a Woman (2008).[1]

http://en.wikipedia.org/wiki/Beryl_Korot


◇ Biography | Mark Godfrey - Frieze Foundation

Mark Godfrey
Art Historian and Critic
Mark Godfrey teaches History and Theory of Art at the Slade School of Fine Art, University College London. He writes for frieze, Artforum, OCTOBER and Parkett and is working on a book on Holocaust Memory and Abstraction for Yale University Press.

http://www.friezefoundation.org/biography/profile/mark_godfrey/