◇ 『Boston School』（The Institute of Contemporary Art; 1st edition August 2, 1996）
Published in conjunction with an exhibition at Boston's Institute of Contemporary Art, this excellent collection of essays addresses the work of seven artists including Nan Goldin, Jack Pierson, and Tabboo!.
http://www.artbook.com/0941215059.html
Lia Gangitano (Editor), Stephen Tashjian (Illustrator), Philip-Lorca DiCrcia (Photographer), Nan Goldin (Photographer), Jack Pierson (Photographer), Shelburne Thurber (Photographer), David Armstrong (Photographer), Mark Morrisroe (Photographer)
http://www.amazon.com/Boston-School-Lia-Gangitano/dp/0941215059
◇ 『Emotions & Relations: Nan Goldin, David Armstrong, Mark Morrisroe, Jack Pierson, Philip-Larca Dicorcia (Foto Series)』（Taschen America Llc）
Uniting the five leading lights of the Boston School of American photography, this is a showcase for some of the most striking and compelling imagery on the contemporary scene. Drawing on a similar range of influences -- fashion's studied glamour, Larry Clark's haunting lowlife, and the casual beauty of the snapshot -- all five contributors realise their visions in contrasting and highly idiosyncratic ways. Nan Goldin is famous for her sexually polymorphous subjects, the way she transforms her models into Warholesque "superstars," and her keen sense of irony and humour. Intimate Goldin associate David Armstrong works with stark black and white portraits of confession and loss. Mark Morrisroe is the tragic figure of the group, who died of AIDS age 30, a dark romantic whose work combined narcissism and explicit poetry. Jack Pierson is an impressionist, for him the photograph is a postcard sent from a "pure moment." Working through an obsession with television imagery, Philip-Lorca DiCorcia stages and composes his models into images of mediated desire. This is the photography of a generation raised on television and chemicals, a stunning documentation of friendship, lust and love at the end of the millennium.
http://www.amazon.co.jp/Emotions-Relations-Armstrong-Morrisroe-Philip-Larca/dp/3822875074
◇ 『Photography in Boston: 1955-1985』（The MIT Press）
Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White.The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography.The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.Copublished with the DeCordova Museum and Sculpture Park.Published in conjunction with the exhibition Photography in Boston: 1955-1985, September 16, 2000 - January 21, 2001.
http://www.amazon.co.jp/Photography-Boston-Rachel-Rosenfield-Lafo/dp/0262122294
