Walker Evans: Depth of Field presented until January 10, 2016, is the first encompassing retrospective of this outstanding photographer’s oeuvre (1903–1975) since the great exhibitions at the Museum of Modern Art in 1971 and the Metropolitan Museum of Art in 2000. It is also the first Walker Evans exhibition of this specific scope to be launched in Europe. The Josef Albers Museum Quadrat, Bottrop, and the High Museum of Art, Atlanta, have been collaborating on the project for several years. Vital support has been lent by John T. Hill, an eminent scholar of Evans’s works who has not only published extensively on the artist, but was also appointed by Walker Evans as executor of his estate, a function he fulfilled until 1994. The exhibition shows around 180 photographs in vintage or lifetime quality hailing from some of the most important photographic collections in the United States, including the Museum of Modern Art, the Metropolitan Museum of Art, the Getty Museum, and important private collections both in the United States and in Europe.
It will thus include exceptional examples from all major groups of works by Walker Evans. The iconic photographs for the Farm Security Administration (1935 – 1936), or Cuba (1933), Many Are Called (1938–41), and Fortune magazine as well as Evans’s late Polaroid portraits illustrate the way in which he systematically addressed his themes over several decades using the latest technical means available. In addition to portraiture, it was commercial art, signage, and typography that fascinated him again and again from the late 1920s until just before his death. Referencing these quintessentially modern genres, he created images that reflect the idea of the objet trouvé and clearly influenced the pop artists who came after him. The exhibition invites visitors to discover not only his timeless work on what Evans himself termed “the reappearance of photography,” but also the extraordinary influence that literature, especially French literature, had on his work. The book American Photographs (1938), which is probably his best-known project, demonstrates that, to use Evans’s own words, “photography seems to be the most literary of the graphic arts.”
After its presentation in Bottrop, the show will travel to the High Museum of Art, Atlanta (June till September 2016) and to the Vancouver Art Gallery (October 29, 2016–January 22, 2017).
EXHIBITION
Walker Evans: Depth of Field
Until January 10th, 2016
Josef Albers Museum Quadrat Bottrop
Im Stadtgarten 20
46236 Bottrop
Germany
http://www.bottrop.de
◇ Walker Evans: Depth of Field - shelf
20世紀アメリカを代表する写真家ウォーカー・エヴァンスの1930年代から70年代まで、蛇腹式のヴェストポケットカメラによる作品からSX-70による最晩年の作品までを収録。過去に出版されたものなかでも最も包括的なモノグラフとなっている。写真とともにエヴァンスの長年の友人であった写真家のジョン・T・ヒル、ジェリー・トンプソン、そしてイェール大学名誉教授アラン・トラクテンバーグの解説を収録。エバンスの作品に対する幅広い見方を提示するとともに、写真家の「反芸術」の理念を明確にする。2015年から2017年にかけてドイツ、アメリカ、カナダを展覧会が巡回。408p 27x25cm 400photo ハードカバー 2015 English
http://shelf.shop-pro.jp/?pid=97087064
◇ Walker Evans, Lyric Documentary on Vimeo
https://vimeo.com/61569865
◇ isites.harvard.edu/fs/docs/icb.topic867995.files/Evans Lyric Documentary.pdf
http://isites.harvard.edu/fs/docs/icb.topic867995.files/Evans%20Lyric%20Documentary.pdf
