Material Type: Non-Fiction
Document Type: Books, texts
Other contributors:
Phillips, Christopher. (contributor)
Metropolitan Museum of Art (New York, N.Y.) (contributor)
ISBN: 0893814067 ― 0893814075
OCLC: 20098095 (Search WorldCat)
Notes: "Published on the occasion of the exhibition, The New Vision: Photography Between the World Wars, Ford Motor Company Collection at The Metropolitan Museum of Art, held at the Metropolitan Museum of Art, September 23-December 31, 1989"--T.p. verso. ― Includes bibliographical references (p. 331-347).
Description: xvii, 350 p. : 24 cm.
Contents: An open letter to M. Man Ray, American photographer / Jean Cocteau (1922) -- Photography upside down / Tristan Tzara (1922) -- The work of Man Ray (1923) / Robert Desnos -- Deceiving appearances (1926) / Man Ray -- Preface to Metal, by Germaine Krull (1927) / Florent Fels -- Spectacles of the street - Eugene Atget (1928) / Robert Desnos -- Eugene Atget (1928) / Albert Valentin -- The first Salon Independant de la Photographie (1928) / Florent Fels -- The literary art of imagination and photography (1928) / Pierre Mac Orlan -- Elements of a social fantastic (1929) / Pierre Mac Orlan -- Photographic testimony / Salvador Dali -- On the snapshot (1930) / Carlo Rim -- Preface to Atget Photographe de Paris (1930) / Pierre Mac Orlan -- The present state of photography (1931) / Philippe Soupault -- The age of light (1934) / Man Ray -- When objects dream (1934) / Tristan Tzara -- On photographic realism (1935) / Man Ray -- John Heartfield and revolutionary beauty (1935) / Louis Aragon -- Untitled contribution to, The Quarrel over realism (1936) / Louis Aragon. ― Production-Reproduction (1922) / Laszlo Moholy-Nagy -- Unprecedented photography (1927) / Laszlo Moholy-Nagy -- Photography in advertising (1927) / Laszlo Moholy Nagy -- Painting and photography (1927) / Erno Kallai (responses by Baumeister, Behne, & Moholy-Nagy) -- Aims (1927) / Albert Renger-Patzsch -- Remarks on my exhibition at the Cologne Art Union (1927) / August Sander -- Joy before the object (1928) / Albert Renger-Patzsch -- Absolute realism: on the photographs of Albert Renger-Patzsch (1928) / Hugo Sieker -- Pictorial photography (1928) / Erno Kallai -- Photography and typography (1928) / Jan Tschichold -- Photomontage (1928) / Franz Hollering -- Sharp or unsharp?: A reply to Hans Windisch (1929) / Laszlo Moholy-Nagy -- Postscript to photo-inflation / boom times (1929) / Erno Kallai & Albert Renger-Patzsch -- Photography and art (1929) / Albert Renger-Patzsch -- On the question: Original or facsimile reproduction? (1929) / Kurt Karl Eberlein -- Original and facsimile (1930) / Alexander Dorner -- Photographic weltanschauung (1929) / Wolfgang Born -- The value of photography (1930) / Franz Roh -- The photograph (1930) / Paul Renner -- On the present state of photography (1930) / Walter Peterhans -- Seeing (1929) / Hans Windisch -- Photomontage (1931) / Raoul Hausmann -- Photomontage, photogram (1931) / Durus -- Excerpt from, Film as art (1932) / Rudolph Arnheim -- How does the photographer see? (1933) / Raoul Hausmann & Werner Graff -- Photomontage as a weapon in class struggle (1932) / Durus -- Photography and the second consciouness (1934) / Ernst Junger -- An excerpt from, On pain (1934) / Ernst Junger -- Photomontage (1924) / [Gustav Klucis?] -- The photograph versus the painting (1926) / Ossip Brik -- What the eye does not see (1926) / Ossip Brik -- The architect's eye - A review of Erich Mendelsohn's America (1926) / El Lissitzky -- From the painting to the photograph (1928) / Ossip Brik -- Photomontage (1928) / Varvara Stepanova -- Against the synthetic portrait, for the snapshot (1928) / Alexander Rodchenko -- An illustrated letter to the editor: At home and abroad (1928) / "A photographer" -- Downright ignorance or mean trick? (1928) / Alexander Rodchenko -- Open letter to Rodchenko (1928) / Boris Kushner -- Photo-notes (1928) / Segei Tretyakov -- The paths of modern photography (1928) / Alexander Rodchenko -- A caution (1928) / Alexander Rodchenko -- Fulfilling a request (1928) / Boris Kushner -- From the editor (1928) / [Sergei Tretyakov] -- Introduction to Moholy-Nagy's, Painting photography film (1929) / Alexander Fedorov-Davydov -- Program of the October photo section (1931) / Anonymous. ― Excerpts from, Futurist photodynamism (1913) / Anton Giulio Bragaglia -- Photomontage (1929) / Vinicio Paladini -- Futurist photography (1930) / F. T. Marinetti & Tato -- Futurist photography (1932) / Arturo Bragaglia -- Photomontage (1931) / Cesar Domela Nieuwenhuis -- The triumphant beauty of photography (1925) / Vilem Santholzer -- The tasks of modern photography (1931) / Karel Teige -- From the photogram to emotion (1940) / Jaromir Funke.
